Giga Feirão WebMotors
AfterBefore Giga Feirão WebMotors As 3D director for the Giga Feirão Webmotors (VTCine/Makplan) advertising campaign, I had the privilege of working with a talented team to create visually stunning content for one of the largest car sales platforms in the country. One of the most exciting facets of the project was the production of TV movies that combined live actors with 3D elements such as cars and digital sets. We worked meticulously to ensure seamless integration, creating immersive, realistic scenes that captured the audience’s imagination. AfterBefore In addition to the TV films, I was also responsible for creating materials for the print media campaign. From magazine ads to billboards, we faced unique creative challenges to ensure each piece reflected the quality and professionalism associated with the Webmotors brand. I’m incredibly proud of the work we’ve accomplished and grateful for the opportunity to work with such a talented team on such an exciting project.
Investigadores da História
https://www.youtube.com/watch?v=j1ivUaxEXIE Proud to share the opportunity I had to work as Art Director on this series. In each project I participate in, I seek not only to contribute, but also to leave my mark. My participation goes beyond the assigned tasks; It’s an opportunity to make a difference. I bring not only technical skills, but also creativity, innovation and an unwavering commitment to excellence. My involvement in previous projects has resulted in significant achievements. From the design of the scenography, Visual Identity to color correction and final delivery, I stay focused on the objectives and goals. My results-centric approach ensures that each project is completed successfully and on time. Each project is an opportunity for learning, new ideas, technologies and methodologies. In this project, I had the exciting opportunity to work with 3D simulations and FARO scanner technology, exploring its capabilities and integrating it effectively into our work process, seeking to enhance my skills, ensuring that I can contribute in an even more meaningful way to future projects. Quality is the cornerstone of my work. From the initial planning phase to the final implementation phase, I maintain the highest quality standards. Every detail is carefully considered to ensure the end result meets and exceeds the client’s expectations. https://www.youtube.com/watch?v=kN-aZyV3VX4
TCU Pangeia
AfterBefore TCU PANGEIA In the Pangeia Project, an additional opportunity arises to improve the chroma key technique. Using skills such as green background cutting and camera tracking to ensure perfect integration of the presenter into the 3D spatial scene, in addition to applying color correction to guarantee a visually attractive and coherent esthetic. It is essential to closely monitor all stages of the filming process to minimize errors and ensure high-quality results. Active presence during filming allows a real-time view of what is being captured, making it possible to identify and correct any problems.
Cidade Dourada
https://www.youtube.com/watch?v=T8JeyoL9mkQ CGI/CIDADE DOURADA In this project I had the opportunity to act as 3D director and post-production coordinator for the series, I had a fundamental contribution to ensuring the visual and narrative success of the project. I worked closely with the production team to create an immersive 3D environment that perfectly complemented the series narrative. From the initial planning phase to final delivery, I supervised all stages of the post-production process. Coordinating the replacement of the blue background with vibrant and realistic 3D scenes, ensuring a perfect integration between the filmed elements and the digital elements. AfterBefore Additionally, I was responsible for supervising the Rotoscoping and visual effects artists, ensuring that every detail was carefully refined to meet the highest quality standards. My role also involved color correction and adding special effects to further enrich the visual experience of the series. As a result of our teamwork and my leadership as 3D director and post-production coordinator, we were able to create a unique and engaging children’s series ready to delight and inspire children of all ages. AfterBefore
Sebrae EMPRETEC
AfterBefore SEBRAE EMPRETEC The chroma key technique is a valuable tool in institutional films, allowing the creation of virtual environments that complement the brand or organization’s message. When filming in front of a green or blue background, chroma key makes it easy to replace that background with images or videos that visually represent the company’s identity. The composition with 3D scenes further enhances the visual impact, adding depth and realism to the scenes. Digital elements, such as products, logos and graphics, are precisely integrated, reinforcing the narrative and message of the institutional film. AfterBefore AfterBefore These techniques offer filmmakers the opportunity to create visually stunning productions that highlight company values and goals in an engaging and memorable way. With chroma key and 3D scene composition, institutional films can transmit their message in a more effective and impactful way.